Superlux DRK A5C2 Microphone Set for Drums

DRK A5C2 Drum Microphone Kit _x0002_0_x0002_0_x0002_D Full Micing in One Box

This model is a 7-piece matched set engineered for live stages, rehearsal rooms, and home recording. Every shell of a standard 5-piece kit gets its own dedicated capsule: kick, four toms/snare, plus two overheads. Note that the overhead condensers need 9_x0002_0_x0002_148V phantom power _x0002_0_x0002_0_x0002_0_x0002_0_x0002_0_x0002_0_x0002_0_x0002_0most mixers and recording interfaces supply this on tap.

What Sets This Drum Mic Kit Apart

Two matched condenser overheads instead of one headline the differences _x0002_0_x0002_0_x0002_0_x0002_0_x0002_0_x0002_0_x0002_0_x0002_0most budget 5-piece sets leave cymbals under-represented. The PRA-268AH overheads use a pressure-gradient back-electret capsule with transformerless circuitry for low self-noise. Stage bleed is more tightly controlled across the entire bundle thanks to all seven capsules sharing a supercardioid pattern _x0002_0_x0002_0_x0002_0_x0002_0_x0002_0_x0002_0_x0002_0_x0002_0a rare level of consistency in this tier.

Microphone Composition and Specifications

These microphones are tuned purposefully for individual drum sources and do not act as generic instrument dynamics.

• Kick Mic: 1_x0002_18A supercardioid dynamic with neodymium magnet and transformer output. Response 20_x0001_2500 Hz, sensitivity -53 dBV/Pa, weight 210 g.
• Tom/Snare Mics: 4_x0002_28A supercardioid dynamic, neodymium magnet, transformer output. Response 50_x0001_6000 Hz, max SPL 134 dB, weight 185 g each.
• Overhead Condensers: 2_x0002_68AH back-electret supercardioid, transformerless pressure-gradient circuit. Response 50_x0001_6000 Hz, sensitivity -44 dBV/Pa, dynamic range 110 dB, max SPL 134 dB, requires 9_x0001_48V phantom power, weight 180 g.
• Included in the package are 2 mic clips with screw knobs, 5 permanently attached clips, and 7 threaded adapters. Five of the seven mics come pre-attached with clips from the factory.

Who Should Pick the DRK A5C2

Live drummers, worship teams, and home recording engineers find this model useful when they need a complete 7-mic package without mixing microphone brands. Moving from generic vocal mics reveals a noticeable improvement in how kick, snare, and toms sound through front-of-house desks. Project studio users get one kick dynamic, four tom/snare dynamics, and two matched overhead condensers ready to connect directly to recording interfaces.