Lino For Linocut

Lino is a printing block from which the negative of an image is carved: removed areas remain light, while the uncarved surface receives ink. The softness of the material affects carving effort, edge strength, and the amount of detail. A smaller format and clearly visible cut marks help beginners. Before starting a large design, test how the block behaves with the tool and ink.

A soft sheet or firmer block

A softer material is easier to cut and reduces the pressure required, but may hold very fine edges less effectively. A firmer sheet supports detail but requires a sharp tool and controlled angle. The thickness must allow it to lie flat without bending. Remove dust and grease from the surface before drawing so the transferred design does not smudge.

• Softer lino: less force and an easier first cut.
• Firmer block: more precise edges and more demanding tool control.
• Smaller format: quicker testing of the design and print.

Prepare the design in reverse

Text, viewing direction, and asymmetrical compositions are reversed in the print. Therefore, transfer the design in reverse or check it in a digital or physical mirror before carving. First mark the areas that should remain white and avoid accidentally cutting away printing areas. Always test the safe cutting direction and suitable profile on a scrap.

A print reveals flaws in the block

After the first carving stage, make a proof print with a thin, even layer of ink. Too much ink fills fine lines, while too little creates broken areas. Mark places requiring further clearing on the print and cut in small steps. For multi-color linocuts, determine the registration points and color order in advance.

Storage without deformation

Store blocks flat and away from direct heat. Do not bend carved lino or place sharp tools on its surface. Adapt cleaning to the type of printing ink and the block manufacturer's instructions; an unsuitable solvent may alter the surface. You can find more printmaking supports in the Supports category.